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057: Emily Rice

Good morning! This is Play It Like It’s Music. I’m Trevor, thanks for listening.

On Wednesday, the 23rd of September of 2020 Music is not content. It’s connection.

Hell of week we’re having, right? Let’s make it better.

Emily Rice is a British born composer for film and TV, who started her musical life as a cellist playing in orchestras and rock bands. She has recorded and conducted her work at Warner Brothers, Capitol Records and The Wiltern – with members of the Hollywood Chamber Orchestra. 

She is stacking up credits, busy as hell and I’m very grateful that she made the time to speak with us. I became a fan when I saw the popular online film Mr. Malcolm’s List and I’ve been spotting her all over the place ever since. She recently scored the Netflix series The I-Land as well as the documentaries 100 Years From Home, Self-Taught and For The Love Of Rutland, as well as narrative feature Miss Juneteenth which premiered at the 2020 Sundance Film Festival. (You should all watch that one on Amazon, it’s great.)

Recognized as an emerging talent early on in her career, Emily was the first composer to be awarded a scholarship from BAFTA Los Angeles. She holds a Bachelor’s degree in Music from the University of York, a graduate certificate in film scoring from USC, and is also an alumna of the prestigious Sundance Institute Film Music & Sound Design Lab. She spent some time early on assisting several elite film composers including Brian Tyler, James Newton Howard and Laura Karpman, and was a writing assistant to Junkie XL. 

She has contributed music to Hollywood blockbusters such as Tomb Raider and Alita: Battle Angel and done orchestrations for The Mummy, Altered Carbon and Star Trek: Discovery.

So yeah, big time! I’m psyched to bring her on the show, we’re going to hear some of her story and of course we got off on the good foot talking about what else.. the cello. That thing has its own language. It’s an honor to have her here, so without further ado, meet Emily Rice.

Press PLAY above to ear my conversation with Emily Rice

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Thanks for listening to Play It Like It’s Music. Thanks so much to Emily Rice for spending some very generous time with us. You can find Emily at Emily Rice Music dot com, follow her on IG and Twitter @emrice music and definitely keep an eye out for new projects as they happen.

I can’t believe we’ve gotten to 57 shows! If you believe this show deserves a wider audience, please tell a friend:

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We're all contending with a mutating professional landscape, jacked revenue streams, a catastrophic global pandemic and plenty of other noise out in the culture.

But you gotta keep playing.

We don't draw any lines here between scenes or styles.

As always, thank you for listening and remember to play it like its music.

You can check out my music on bandcamp and other places. It’s all at my website, trevorexter.com. Sign the mailing list on substack to get this show sent right to you the very moment it comes out.

Music is a beautiful thing and it makes the world go round.

Big love to your ears.

Trevor

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"Play It Like It's Music" by Trevor Exter
Play It Like It's Music
Purists may whine that the best days of music are behind us, that capital “M” music has seen its peak and is no longer relevant. But here at Play It Like It's Music we believe the opposite: not only is the act of musicmaking an essential life skill with a lineage stretching back to the beginnings of human history, but the vocation of the professional musician is more vital today than it ever has been. Once a month, join musician, songwriter and producer Trevor Exter as he drops in on working musicians from every genre.